The Bamum script in London

Africa hosts a wealth of scripts and writing traditions. I have mentioned some of them in earlier posts, for instance the Bamum script from Foumban in Cameroon, the N’ko alphabet from Guinea, Ajami writing, and the Vai script from Liberia. Before introducing you to other African writing practices, I have to share the news with you that an eminent researcher on writing in Africa, Konrad Tuchscherer, is going to present his research in London.

On June 28, he’ll give a talk, entitled “Script in West Africa” at the British Library. A fitting location to remind the British public that far from being the oral continent that needs to be converted to writing by the activities of outsiders, is a treasure trove of scripts, innovated by daring inventors or having roots reaching back through millenia.

The British Library also hosts the Endangered Archives Programme, which provides funding for archival activities that help protect, preserve and share many of the world’s vulnerable archives, for instance the palace archives of the Sultan of Foumban. There is a yearly call for applications for funding. The bad news: this year’s call is closed. The good news: the programme just got extended, so you can apply next year. There’s much more precious evidence of African writing through the centuries to bring to light!

Sulemaana Kantè: writing unity in difference

My first post on indigenous African languages is dedicated to Sulemaana Kantè, the Guinean inventor of the N’ko script for the writing of Manding languages. He has been called a cultural fundamentalist by Jean-Loup Amselle, because he created a script and linguistic standard aiming at unifying a Manding language out of a cluster of closely related and fluidly interwoven registers spanning several countries in 1949. But characterizing him as an ethnonationalist does not do justice to his vision, which is one of creating unity while respecting difference, making it very faithful to the many social exchanges that acknowledge and thrive on diversity in the Mande world. His version of a standard language does not erase variation or impose one lect to the exclusion of other local varieties, unlike its colonially created contemporaries. The forms of a ‘clear register’ called kángbɛ and mainly based on his native Maninka are taught to disciples of N’ko, but at the same time they receive profound knowledge of the etymologies of these forms, of their correspondences in other local varieties, and of regular sound correspondences between forms in different lects.

nko in nko
The word N’ko in the N’ko script. N ko means ‘I say’ in Manding language

Kantè’s legacy lives on, since N’ko has become a very influential alternative to the barely used colonial standard language Bambara, and because his philosophy connects writing and literary production to local experience and Mande political imagination.

You can read more about him and N’ko in the articles below, and in Coleman Donaldson’s PhD thesis, among several other references:

Vydrine, Valentin (2001): Souleymane Kante, un philosophe-innovateur traditionnaliste maninka, vu à travers ses ecrits en Nko. In Mande Studies 3, pp. 99–131. 

Donaldson, Coleman. 2018. Orthography, standardization and register: The case of Manding. In Pia Lane, James Costa & Haley de Korne (eds.), Standardizing minority languages, 175–199. New York and London: Routledge.